Lingus has got to be one of my favourite Snarky Puppy tunes. Cory Henry’s epic solo will surely go down in history as one the greats, and underpinning it all is Michael League’s bass, which I think is a great example of groovy restraint. Michael League and Snarky Puppy can, by his own admission bit quite ‘chopsy’, and there’s certainly a lot of fireworks going on in the soloing and drumming on this track. But if you listen to the bass it’s actually doing the simple things (well, relatively simple things) really well. There are a few times when he lets loose but on the whole, especially in the Cory Henry solo, he’s just thumping out the same underpinning grove pattern without making things too fancy – there’s enough fancy stuff going on in the keyboard and drum parts!
The opening Emin riff is wonderfully phat and dirty, and so fits very well on tuba!
It’s in this section that Mr. League takes the (rare in this piece) opportunity to put in a choice fill. For me this is one of the bass highlights of the track! The use of C#s and low G# make things momentarily brighter implying Emaj briefly, before returning straight back to Emin.
A nice touch of rhythm section detail is how the syncopated pattern (that delays the root of the chord to beat 2 in bar 5 of the B section) leaves the low root out altogether on the third time we hear it. It’s a great example of how less is more. By just leaving out one choice note it gives a really nice moment of space but at the same time it’s like we still hear the low root even though it’s not there!
After an increase in the baseline intensity through the horn solos, Michael finally lets loose for 4 bars in the tutti that ends the first section of the tune before reigning it all back in to hold down the repeating bassline in the second half of the piece.
As a bit of a tuba challenge a decided to transcribe the whole bass part and give it a blow. I’ve tried to get the transcription as honest to what Michael is playing as possible. It’s tricky to tell exactly what octave he’s playing in sometimes as there are other instruments doubling the baseline at times but here’s my best attempt.