Bassline Academy – Maybe It’ll Rub Off, Rocco Prestia

This bassline transcription is a request from Dwayne Dixon. He’s a fellow church minister and low note player and sent me a message asking if I’d do a version of Maybe It’ll Rub Off by Tower of Power, so here it is Dwayne!.

The bassline is typically Rocco; punchy, percussive, funky and at times follows the unison riff in the rest of the band. The main A section riff uses a kind of bee bop blues scale (that’s what I shall call it, I don’t know if anyone else does!). The F, E, Eb are like the top of a bee bop scale (in F) with the following C, B, Bb, Ab part of the blues scale (in F) so to my mind that’s a bee bop blues scale or possibly a blues bee bop scale, depending on which way you look at it!

In the hammond organ solo section the bass guitar drops out and bass duties are picked up by Chester Thompson on bass pedals! This section is probably the most difficult to play on the tuba as there’s no where to breathe!

On the whole I found myself playing the bass part on this track with quite a lot of hard tongue attack to get the same sound and style as the bass and bari sax.

You can download the pdf transcription here – Maybe it’ll rub off



Bassline Academy – Thinking About Your Body, Bobby McFerrin

Here’s another Bobby McFerrin transcription taken from the Spontaneous Inventions album. It’s funny how you find music sometimes, I first heard this track (sort of) on a Cadbury’s chocolate advert! I’ve always loved it (and Cadbury’s chocolate – maybe marketing does work after all) so it’s been great to learn it and get inside the groove. With all of Bobby McFerrin’s solo stuff, there’s an amazing sense of feel and pulse which makes it sound like there’s more than just one person playing/singing it. As with Opportunity it works really well down the octave on the tuba, although the acrobatic leaps are a bit a of a challenge.

Get the PDF transcription here – Thinking about your body


Bassline Academy – Spider, Paul Jackson

This is a slightly obscure bassline to learn but there’s a story behind it!

Spider is a track from the Secrets album by Herbie Hancock. As with other albums of this era (Head Hunters is probably the most well known) Paul Jackson is Herbie’s bass player. If you don’t know any of Paul Jackson’s stuff then check him out, he’s Mr Funky!

I first heard this track on a live recording played by The Brasshoppers with the mighty Gideon Jukes on tuba. Gideon sounded amazing! It was a crazy tuba funk masterclass and I had no idea where to begin getting my head around the lines he was playing. Then, last year Gideon did a studio recording of the track with The Brasshoppers (check it out here), which was equally great. The problem was over the last couple of years I’ve found myself back in The Brasshopper tuba chair and they were keen to keep playing this tune. I bodged my way through it a few times but decided it’d be a good idea to learn the original which is the reason for this transcription. I’m still learning……

After the initial sustained bass notes in the introduction the majority of the tune is based on one riff/progression which has 3 main variations. The first variation uses some bass guitar harmonics which I play down the octave and gradually builds up with additional fills and improvised nuances. After a short breakdown the second variation also builds in complexity and intensity as it heads to a brief bridge section. After this the third variation stays relatively simple as it motors on to the outro. Jackson’s rhythmic placement and ghost notes are super cool throughout.

Download the complete bass transcription here. (The low C# in the last chord isn’t played by the bass but I’ve included it here because it’s fun to play!)

Bassline Academy – Opportunity, Bobby McFerrin

Bobby McFerrin has been a longstanding hero of mine. To see him live is spellbinding, he can captivate and engage an audience of thousands with just his solo voice. His album ‘Spontaneous Inventions’, from which this track is taken, was an early acquisition of mine and remains a perennial favourite.

Whilst this isn’t strictly a bassline, tuba players can learn a lot from the phrasing, articulation, breath control and groove of Bobby McFerrin. He has this ability to be able to sound like two instruments, improvising bass and melody, at the same time rather like a Bach cello suite. I’ve tried to replicate some of this in the transcription and recording!

‘Opportunity’ is predominantly based around an Eb blues scale which works really nicely for me being an Eb tuba player, however, the range of Mr McFerrin’s voice is considerably higher than I can play so I’ve transposed the whole transcription down an octave so that I act as his tuba octave pedal double.

Download the PDF transcription of Opportunity here.

Bassline Academy – Conscious Club, Joe Dart

This bassline comes from the band Vulfpeck and their amazing head nodding bass player Joe Dart. If you’ve not heard any Vulfpeck then check them out. They are tongue in cheek and seriously funky and, whilst all the band members are great musicians, Joe Dart is a stand out virtuoso.

Conscious Club (Instrumental) is there bare bones instrumental backing to the song by the same name. It works as a stand alone track and in the absence of ‘the tune’ it’s Joe Dart’s bassline that serves as a lot of the melodic interest. The song form is ABCBCACB but if we’re honest as bass players it’s the A section we’re most interested in. Fast, funky and fun to play. Joe sticks to the groove impeccably throughout but when he does choose to embellish the line it is always exciting and lightening quick!

Download the full transcription here – Conscious Club Transcription

Bassline Academy – On The Serious Side, Rocco Prestia

‘On The Serious Side’ is another tune from Tower of Power’s album ‘In The Slot’ (if you haven’t already, check out ‘Drop It In The Slot‘ as well!) featuring Rocco’s punchy sound. The whole tune revolves around the same relentless bass pattern almost all the way through, with a short B section interjecting in the middle of the song. The repeating bassline contains a trademark chromatic run up from the 3rd degree of the scale and just keeps going and going! This presents a bit of a stamina challenge on the tuba. I can just about keep my single tonguing going for the whole tune but found that double tonguing is not only easier and more efficient, but also seems to fit better with the way the TOP band play the groove. It’s like the double tongue sound matches the ‘wacka chicka’ type articulation that is going on throughout the tune.

Download the full transcription here: On the Serious Side bass transcription

Bassline Academy – Drop It In The Slot, Rocco Prestia

When I was studying at university (many moons ago) I would hear many tuba students talk about who they would like to sound like. Names like John Fletcher, Owen Slade, Patrick Harrild and Oren Marshall were some of the tuba players we were trying to emulate. However, for me I also had the sound of Tower of Power’s bass player Rocco Prestia in my head. There’s something about his direct, punchy, fat sound and style I’ve always loved and tried to recreate in my playing. I think that if we aim to make a sound that is beyond someone else playing the same instrument as us, then we may well stretch the possibilities of what we can do on our instrument. One of the most common bits of feedback I get after a gig is ‘I thought that was a bass guitar’, which I usually take as a compliment because when I’m playing any afro-american based style I’m generally not trying to sound like a tuba, but a bass.

Anyway that’s a long winded introduction to my transcription of ‘Drop It In The Slot’ from one of my favourite Tower of Power albums, ‘In The Slot’.

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Rocco’s playing in the A section is quite high on the bass which sits nicely on the tuba. He plays the riff on F7 pretty much unaltered throughout the opening  and only embellishes the tail of the phrase on F#7.

Screen Shot 2018-03-03 at 12.53.49In the B section, however, I’m not sure he plays exactly the same thing twice! There are some rhythmic hooks but he’s mainly freestyling on Dmin using the root, 6th and 7th.

Screen Shot 2018-03-03 at 12.54.32.pngThe outro, after the chromatic shifting of the original riff, is where Rocco starts to let his hair down with some of his trademark semiquaver chromatic runs.

This is a fun tune to play on tuba and I actually think the interactions between the sound of tuba and the rest of the TOP horns works better on a brass bass than an electric one (but I would think that wouldn’t I)!

Download the full bass transcription here.